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  <eadheader> 
	 <eadid countrycode="us" mainagencycode="MdBJ">ms.13</eadid> 
	 <filedesc> 
		<titlestmt> 
		  <titleproper>Coleman (Elliott) 1906-1980<lb/> Papers 
			 <date normal="1932/1980">1932-1980</date> 
			 <num>Ms. 13</num></titleproper> 
		  <author>Cynthia H. Requardt </author> 
		</titlestmt> 
		<publicationstmt> 
		  <publisher>Special Collections, The Milton S. Eisenhower Library, The
			 Johns Hopkins University </publisher> 
		  <address> 
			 <addressline>3400 N. Charles Street</addressline> 
			 <addressline>Baltimore, MD</addressline> 
			 <addressline>21218</addressline> 
			 <addressline>USA</addressline> 
			 <addressline>Phone: (410) 516-8323</addressline> 
		  </address> 
		</publicationstmt> 
	 </filedesc> 
	 <profiledesc> 
		<creation>Machine-readable finding aid encoded by Diwakar
		  Bhandari</creation> 
		<langusage>Finding aid written in <language
		  langcode="eng">English</language></langusage> 
	 </profiledesc> 
  </eadheader> 
  <frontmatter> 
	 <titlepage> 
		<titleproper> Coleman (Elliott) 1906-1980 <lb/>Papers 
		  <date normal="1932/1980">1932-1980</date> </titleproper> 
		<num>Ms. 13</num> 
		<publisher>Special Collections<lb/>The Milton S. Eisenhower Library<lb/>
		  The Johns Hopkins University</publisher> 
		<date></date> 
		<list type="simple"> 
		  <head>Contact Information</head> 
		  <item>Special Collections</item> 
		  <item>The Milton S. Eisenhower Library</item> 
		  <item>The Johns Hopkins University</item> 
		  <item>3400 North Charles Street</item> 
		  <item>Baltimore, MD 21218</item> 
		  <item>(410) 516-8323</item> 
		</list> 
		<list type="deflist"> 
		  <defitem> 
			 <label>Processed by:</label> 
			 <item>Cynthia H. Requardt </item> 
		  </defitem> 
		  <defitem> 
			 <label>Date completed:</label> 
			 <item>August 1989 </item> 
		  </defitem> 
		  <defitem> 
			 <label>Encoded by:</label> 
			 <item>Diwakar Bhandari</item> 
		  </defitem> 
		</list> 
		<p>©2003 The Johns Hopkins University</p> 
	 </titlepage> 
  </frontmatter> 
  <archdesc level="collection"> 
	 <did> 
		<head>Descriptive Summary</head> 
		<unitid label="Record Group No.">Ms. 13</unitid> 
		<unittitle label="Title">Coleman (Elliott) 1906-1980<lb/> Papers 
		  <unitdate normal="1932/1980">1932-1980</unitdate></unittitle> 
		<origination label="Creator"> 
		  <persname> Coleman, Elliott , 1906-1980</persname></origination> 
		<repository label="Repository"> 
		  <corpname
			normal="Johns Hopkins University. Special Collections" source="lcnaf">Johns
			 Hopkins University. Special Collections</corpname></repository> 
		<physdesc label="Extent">3 document boxes (.5 linear feet) </physdesc> 
		<langmaterial label="Languages Represented"><language
		  langcode="eng">English </language></langmaterial> 
		<abstract label="Scope and Content Note">The collection consist of
		  correspondence, manuscript poems, printed materials, and photographs. It spans
		  the years 1932 to 1980 with the bulk of the material from 1978-1979. The papers
		  deal with Coleman's poetry. His work in literary criticism and as director of
		  The Writing Seminars is not represented in this collection. The Hamburger
		  Archives has the official records of The Writing Seminars during the years
		  1947-1953 when Coleman was there. </abstract> 
	 </did> 
	 <descgrp> 
		<head>Administrative Information</head> 
		<acqinfo> 
		  <head>Provenance</head> 
		  <p> Part of this collection was donated by Elliott Coleman between 1963
			 and 1977. He donated the E.E. Cummings letters in 1963, the Andre Gide letter
			 in 1975, and the Anais Nin letters in 1977. Coleman donated the manuscripts of
			 "Mockingbirds at Fort McHenry" in 1965, "Encore" in 1965, and "Solo," "A Summer
			 Sky," "Agony on the Chenango River," "Touch and Go," "Proses Out of the Deep,"
			 and "Proses Out of the Blue" in 1969. Coleman bequeathed to The Johns Hopkins
			 University an oil portrait of himself by Elsa Frame Hutchins. It is hanging in
			 the Library Office. </p> 
		  <p> The remaining correspondence, poem manuscripts, and printed
			 materials were part of Coleman's estate and donated to the Hamburger Archives
			 on June 3, 1981 by Coleman's literary executor Louis D. Rubin, Jr. through
			 Coleman's attorney Sandra Gohn. These manuscripts (Hamburger Archives accession
			 number 81.18) were transferred to Special Collections January 6, 1982. </p> 
		  <p>Printed materials, several with inscriptions to Elliott Coleman were
			 added to the collection, June 1998. The materials had been filed in the Cage.
			 The Accession Numbers are 93-94.1 and 93-94.4.</p> 
		</acqinfo> 
		<userestrict> 
		  <head>Use Restrictions</head> 
		  <p>Access to this collection is unrestricted. </p> 
		  <p>Permission to publish material from this collection must be
			 requested in writing from the Manuscripts Librarian, Milton S. Eisenhower
			 Library, The Johns Hopkins University, 3400 North Charles Street, Baltimore,
			 Md. 21218.</p> 
		</userestrict> 
		<prefercite> 
		  <head>Preferred Citation</head> 
		  <p>Elliott Coleman Papers Ms. 13 <lb/>Special Collections<lb/> Milton
			 S. Eisenhower Library<lb/> The Johns Hopkins University </p> 
		</prefercite> 
		<bioghist> 
		  <head>Biographical Note</head> 
		  <p> Elliott Coleman was born on September 26, 1906 in Binghamton, New
			 York, the son of a clergyman. He graduated from Wheaton College in 1928 and
			 taught for 12 years at a boys school in Asheville, N.C. He then turned to
			 theology, studying a year at the Princeton Theological School, and then Oxford
			 University. In 1940 he went to New York to study at the General Theological
			 Seminary. Coleman was ordained an Episcopal Deacon in the Cathedral of St. John
			 the Divine in New York City. While in New York, Coleman work for two publishers
			 Henry Holt &amp; Co. (1942-43) and Doubleday &amp; Co. (1943-45). </p> 
		  <p> In 1945 Coleman came to The Johns Hopkins University to reorganize
			 the freshman writing course. The following year in September 1946 he founded
			 the Department of Writing, Speech and Drama the predecessor to The Writing
			 Seminars. He remained chairman of this department until his retirement in 1975.
			 One of the first writers Coleman attracted to the program was Karl Shapiro, the
			 poet. Others who came to Hopkins to work with Coleman's students were E.E.
			 Cummings, Dylan Thomas, Katharine Anne Porter, W.H. Auden, and Robert Frost.
			 Students of Coleman's included John Barth, Russell Baker, Julia Randall, Joseph
			 Whitehill, Richard Kim, and Josephine Jacobsen.</p> 
		  <p> Coleman was a scholar whose work dealt with the literary criticism
			 of Marcel Proust, T.S. Eliot and James Joyce. He edited a volume of the poems
			 of Byron, Keats, and Shelley and translated the poems of Pierre Emmanuel,
			 Georges Poulet, and Alfredo Rizzandi. Coleman was also a poet and published
			 more than a dozen volumes of poetry. A bibliography of his work is in Appendix
			 1. </p> 
		  <p> Coleman died on February 23, 1980 at the Stella Maris Hospice near
			 Baltimore. He was unmarried.</p> 
		</bioghist> 
	 </descgrp> 
	 <dsc> 
		<head>Description of Series/Container List</head> 
		<c01 level="series" tpattern="container:description"> 
		  <head>Series 1: Personal </head> 
		  <did> 
			 <unittitle>Personal, 
				<unitdate type="inclusive"
				 normal="1963/1980          ">1963-1980</unitdate></unittitle> 
			 <physdesc>20 items</physdesc> 
		  </did> 
		  <scopecontent> 
			 <p>This series includes obituaries, a reminiscence of Coleman by
				Richard Macksey, snapshots of friends, the receipt for his cemetery plot, and
				his passports (1973, 1978). There are also 3 letters dealing with his admission
				to the Stella Maris Hospice, his Award of Merit from The Asheville School, and
				travel arrangements for a trip to London. </p> 
		  </scopecontent> 
		  <thead> 
			 <row> 
				<entry>Box</entry> 
				<entry>Contents</entry> 
			 </row> 
		  </thead> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1973, 1978 </unitdate> 
				<unittitle>passports</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> photographs</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1977, 1978 </unitdate> 
				<unittitle> letters</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1980 </unitdate> 
				<unittitle>obituaries </unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1980 </unitdate> 
				<unittitle> 
				  <title>The Teacher and the Poet: Elliott Coleman: </title><lb/>
				  by 
				  <persname>Richard Macksey</persname> 
				  <unitdate>1906-1980</unitdate> </unittitle> 
			 </did> 
		  </c02> 
		</c01> 
		<c01 level="series" tpattern="container:description"> 
		  <head>Series 2: Correspondence </head> 
		  <did> 
			 <unittitle>Correspondence, 
				<unitdate type="inclusive" normal="1948/1980       ">1948-1980
				  </unitdate></unittitle> 
			 <physdesc>75 items</physdesc> 
		  </did> 
		  <scopecontent> 
			 <p> Not much of Coleman's correspondence has survived. He often gave
				or threw away letters he received. It is quite likely that many other letters
				received by Coleman, especially those from contemporary poets, are still owned
				by his students and colleagues. </p> 
			 <p> Included in this series are letters from E.E. Cummings
				(1949-1956), Andr‚ Gide (1948), and Ana‹s Nin (1974-1976) which Coleman gave to
				the Library. The remaining letters date from the last two years of his life and
				were donated after his death. These include letters from poets Josephine
				Jacobsen, Cindy Shearer, and Carol Rubenstein. Rubenstein also sent copies of
				her poems.</p> 
		  </scopecontent> 
		  <thead> 
			 <row> 
				<entry>Box</entry> 
				<entry>Contents</entry> 
			 </row> 
		  </thead> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>?, Aubie</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Blackmur, Richard P.</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Coleman, John C.</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Cummings, E.E.</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Gide, Andr‚</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>?, J.</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Jacobsen, Josephine</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Johns Hopkins University Press</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Leax, John</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>LeGrand, David</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>[Lynch], Michael</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Macksey, Richard A.</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Muller, Steven</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Nin, Ana&#x00ef;s</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Oden, Gloria</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Polistira, Ken</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Rosenburg, Bob (Rigg Kennedy)</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Rubenstein, Carol</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>Shearer, Cindy</unittitle> 
			 </did> 
		  </c02> 
		</c01> 
		<c01 level="series" tpattern="container:description"> 
		  <head>Series 3: Writings </head> 
		  <did> 
			 <unittitle>Writings, 
				<unitdate type="inclusive"
				normal="1965/1979       ">1965-1979</unitdate></unittitle> 
			 <physdesc>50 items</physdesc> 
		  </did> 
		  <scopecontent> 
			 <p> This series consists of notebooks, manuscript poems, and several
				printed copies of his later poems. The collection includes the original
				manuscript of "Rose Demonics, 1936-1966," and drafts of "Agony on the Chenango
				River" which first appeared in Poetry October 1968. This was also recorded by
				the University of Baltimore on the record "So" together with poems by Josephine
				Jacobsen and Henry Rage and edited by Stephen Wiest. Other poems are "Touch and
				Go" which first appeared in The Nation September 30, 1968; "Proses Out of the
				Deep" which first appeared in Foxfire Spring 1969; and "Proses Out of the Blue"
				in Cafe Solo. "Encore" was given as the Phi Beta poem at Hopkins on May 11,
				1965. "Mockingbirds at Fort McHenry" was published in Pamplona, Spain in the
				autumn of 1963. </p> 
			 <p> Later poems in this series include "Creation," "David,"
				"Description of the Fifteenth of November: A Portrait of T.S. Eliot," "The
				Island," "The Seashell," Oxford Flow, Four Counties of Youth, and Poems from
				the Chilton Seminars. </p> 
			 <p> Nineteen poems by Elliott Coleman are owned by the Rare Book and
				Poetry Collection of the University of New York at Buffalo. </p> 
		  </scopecontent> 
		  <thead> 
			 <row> 
				<entry>Box</entry> 
				<entry>Contents</entry> 
			 </row> 
		  </thead> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1976 </unitdate> 
				<unittitle> 
				  <title>Oxford Flow: Poems of Elliott Coleman</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1979 </unitdate> 
				<unittitle> 
				  <title>Four Counties of Youth: A Fiction</title> </unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1979 </unitdate> 
				<unittitle> 
				  <title>Poems from the Chilton Seminars </title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>Creation</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>David</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>Description of the Fifteenth of November. A Portrait of
					 T.S. Eliot</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>The Island</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>The Seashell</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>3 Translations</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>Agony on the Chenango River</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>Encore</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>The Green Orpheus</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>Mockingbirds at Fort McHenry</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>Proses Out of the Blue</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>Proses Out of the Deep</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>Rose Demonics</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>Solo</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>A Summer Sky</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle> 
				  <title>Touch and Go</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unittitle>notebooks</unittitle> 
			 </did> 
		  </c02> 
		</c01> 
		<c01 level="series" tpattern="container:description"> 
		  <head>Series 4: Printed Material </head> 
		  <did> 
			 <unittitle> Printed Material, 
				<unitdate type="bulk" normal="1976/1980">1932, 1976-1980
				  </unitdate></unittitle> 
			 <physdesc>7 items</physdesc> 
		  </did> 
		  <scopecontent> 
			 <p>This series is largely copies of poems published by former
				students. Included are works by Geof Hewitt (1976), Gary Moore (1978), Cindy
				Shearer (1979), and George Edward McDonogh (1980). There are 2 issues (1978,
				1979) of Gargoyle published by the Cambridge Poets. In this series is Coleman's
				annotated copy of The Odyssey of Homer (New York: Oxford University Press,
				1932). </p> 
		  </scopecontent> 
		  <thead> 
			 <row> 
				<entry>Box</entry> 
				<entry>Contents</entry> 
			 </row> 
		  </thead> 
		  <c02> 
			 <did> 
				<container type="box">1</container> 
				<unittitle> 
				  <title>The Odyssey of Homer</title><lb/> 
				  <unitdate>1932</unitdate></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1976 </unitdate> 
				<unittitle> Hewitt, Geof, 
				  <title>I Think They'll Lay My Egg Tomorrow </title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1978 </unitdate> 
				<unittitle> Moore, Gary, 
				  <title>He Cures by Alliteration </title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1978, 1979 </unitdate> 
				<unittitle> Gargoyle</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate> 1979 </unitdate> 
				<unittitle> 
				  <title>Shearer, Cindy, to stephen, to mollie, to leopold a poem
					 </title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">2</container> 
				<unitdate>1980 </unitdate> 
				<unittitle> 
				  <title>McDonough, George Edward, A Long Perspective</title>
				  </unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>Hopkins Review</title><lb/> 
				  <unitdate>Summer 1950</unitdate></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>Poetry</title><lb/> 
				  <unitdate>June 1959, July 1963, July 1965, October
					 1968</unitdate></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>Trace</title><lb/> 
				  <unitdate>May 1965</unitdate></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>Cafe Solo</title><lb/> 
				  <unitdate>Summer 1969</unitdate></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>New Letters</title><lb/> 
				  <unitdate>Fall 1971, Summer 1972, Summer
					 1976</unitdate></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>Blue Moon</title><lb/> 
				  <unitdate>March 1975</unitdate></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>77 Antipoems. New/old Antipoems and
					 others<lb/></title>Erland E. Jacobsen </unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>Working the Night<lb/></title>New poems by John
				  Linthicum</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>Riggwords<lb/></title>By Rigg Kennedy</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>Waking Up Still Pickled<lb/></title>Geoff
				  Hewitt</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>In the Eye<lb/></title>Poems by Aaron Miller</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>Riddle and Incest<lb/></title>Poems by Lawrence
				  Markert</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>A Proper Reticence<lb/></title>Poems by John
				  Leax</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">3</container> 
				<unittitle> 
				  <title>Kumquat 3</title></unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">Oversize in MSS workroom</container> 
				<unittitle> 
				  <title>The Station House <lb/></title> by Rodger
				  Kamenetz</unittitle> 
			 </did> 
		  </c02> 
		  <c02> 
			 <did> 
				<container type="box">Oversize in MSS workroom</container> 
				<unittitle> 
				  <title>Five songs &amp; Two Canons <lb/></title>Music by Alan
				  Stout Text by e.e. cummings </unittitle> 
			 </did> 
		  </c02> 
		</c01> 
	 </dsc> 
  </archdesc> 
</ead> 